![]() Foreground/Edge Color Correction: This allows you to adjust the hue, saturation, and color of your keyed subject.Screen Despot Black/White: This allows you to try and remove spots that can sometimes appear while keying footage.Screen Shrink/Grow: Adjusts the size of your mask and edges.Clip Rollback: If your edges appear to be lost or over-keyed, this setting can help try and recover them.The Clip Black works almost in reverse, reducing the issue of subject and foreground artifacts appearing in the background. Clip White and Clip Black: Adjusting the Clip White can help reduce issues of transparent and see-through subjects.It also adjusts how much blur is applied to the matte. Screen Pre-Blur: Can help smooth over any errors or issues with the edges of keyed footage.This is relevant when using a green screen, or experimenting with possible. Screen Balance: This tries to offset issues occurring from unevenly lit background screens. Using After Effects you can isolate and remove a single color from your composition.Screen Gain: Controls how much of the screen color is removed.Alpha Bias: Can be used to try and offset issues from color imbalances when unlinked from the Despill Bias.This can be particularly prevalent in skin tones and around the edges of hair. Despill Bias: This allows you to try and offset "spill," where the background has reflected (or "spilled") onto the subject.Screen Color: As already covered, this creates the matte using the main color of the background.If you’re lucky, this will do most of the work for you. Use the Eyedropper tool to choose your key color, selecting an area on the green or blue screen. Open the Effects panel and then the Ultra Key tab. Selecting a region changes the language and/or content on around with the parameters and settings within Keylight can let you adjust how the image is keyed, and iron out issues. Once your footage is narrowed down, use the Ultra Key tool in Adobe Premiere Pro to key out the background. “Because editing capabilities change every few months,” explains Apley, “it’s important to be continuously learning.” As long as your lighting is set up correctly, there are countless ways to introduce fascinating new backgrounds to your projects within the world of chroma keying. Keep your eye on the latest tutorials and updates to Premiere Pro through resources like Adobe Live and try out new ways to use Chroma Key tools in your videos. ![]() Watch how they did it and see the stunning result of their work. Creative studio Abby Priest experimented to discover whether or not they could use liquid paint as a green screen. ![]() In your video editor, cut a simple matte (called a garbage matte) between the person and the edge of the green area, and remove the background beyond the line of the matte.Īnything solid in color can potentially be a screen for a keying project. Hold the pop-up screen behind the person or object you want to shoot. ![]() Step 3: It is time to hit the eyedropper tool named Screen Color and then click on your image at a specific green screen section. You can use these to shoot keyable footage on the go. Step 2: Now go to the Effects and Presets option on After Effects window and from the drop-down menu you have to apply keylight to the video clip by simply using double click. Look for small, fold-out background panels that resemble a round section of green screen.
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